We hope you find what you are looking for. Not built for sports photography, but the f/2.8 aperture is great for low light conditions for stationary or slow moving subjects. CLICK HERE TO GET THE LATEST PRICE OF THE FUJI 90MM f/2. Compared to the f3.5-5.6 aperture of rival 18-55mm kit zooms, the Fuji version gathers between two thirds and a whole stop more ... it remains sharper at all distances and apertures. All of these lenses are built to very high quality standards and are robust enough for you to know they will stand through years of use. With so many 5 star reviews on Amazon of the Fujifilm 90mm f/2 lens, happy users report “ultra-shaprness”, “superb image quality” and “astounding colour/bokeh/rendering” of the Fujifilm 90mm f/2. Use this lens if you really want to compress those background elements together. Its solid build does, however, add to its weight, with often results in it being a lot heavier than the Fuji mirrorless camera it’s attached to (see photo above with the 16-55mm f/2.8 attached to a Fuji X-T1). I personally use it for my street photography as it allows me to create a tighter frame immediately. Recommended lens for fashion photography: Nikon 18-55mm f/3.5-5.6G ED This is the best lens for fashion photography, covering focal lengths from wide-angle to fashion portrait fashion shooting. Shooting at f/4 to f/5.6 is where sharpness really gets impressive, but let’s face it – no one buys a pro-grade f/1.2 lens to shoot it at anything other than wide-open! Another plus point is the price of the Fuji 35mm f/1,4, making it one of the more affordable options when buying a new Fuji mirrorless camera body. CLICK HERE TO GET THE LATEST PRICE ON THE FUJI 25MM f/1.4. For Fuji, this is the lens to run to. XF lenses feature all-metal construction, larger maximum apertures, aperture rings, and OIS toggle switches. Subject separation is distinct and the focal distance allows for a nice amount of image compression. Aside from its place in this trilogy of lenses, the 50mm f/2 has a unique place among the entire range. Any slight movement when shooting hand held will in effect be masked by the width of the shot, and f/1.4 will let plenty of light in to help achieve a faster shutter speed. Overall, the Fujifilm XF 16mm f/1.4 is one of the best Fuji lenses for landscape photography given its weather resistance and ruggedness. This is because it is completely subjective. One pro went as far as to say, “I’ve had a lot of Canon L glass and this equals or exceeds every one…”. (The 35mm f/1.4) is one of three I’ve owned in my life that I feel have that magical quality.”. These are the best Fujifilm lenses for travel photography: Fuji XF 18-55mm f/2.8-4. Fujifilm 56mm f/1.2 Sample Image | © Nathan Elson. i.e. Product links on ExpertPhotography are referral links. The ‘R’ is an abbreviation of ‘Ring’, and signifies that the lens is equipped with an aperture ring. When mounted on a slimline Fuji X body such as the Fuji X-Pro3 however, it actually looks better than the bulkier 23mm f/1.4 in my opinion. NB: Don’t get confused by Fujinon – it isn’t a cheap knockoff. In this video, we'll take a look at your options for a great Fuji walkaround street photography lens. There will be times when the wildlife photographer needs a wide angle, and the portrait photographer needs a macro lens. Unless you absolutely need the fastest glass you can buy (for low light shooting), I’d actually recommend investing in the 23mm f/2 WR and spending what you save on education. XF lenses feature all-metal construction, larger maximum apertures, aperture rings, and OIS toggle switches. Below you’ll find the six best Fuji lenses that money can buy. I recently got into photography few months ago (September). Let’s look at the top lens options for your Fuji camera. So let’s take a look at the best Fuji lenses right now. Fujifilm 90mm f/2 Sample Image | © Bert Stephani. Fujifilm XF 27mm f2.8. Here’s an example of one that’s quite a mouthful: The above lens is the Fujifilm XF 18-135mm f/3.5-5.6 R LM OIS WR. You might even have the X-T1 and are looking to add to your Fujifilm lenses collection. If you’re a stills or video shooter, I highly recommend you have this lens in your camera bag. If so, then 40 or 50mm equivalents would be better. The fixed f/4 aperture is available throughout the 2.4x zoom range and provides excellent detail from the foreground to the distance. But if you're after a good general-purpose lens that's perfect for street photography, the XF 23mm f2 will serve you well. When Fujifilm Australia kindly leant me one of their best mirrorless cameras for this lens review, they told me to have a go at this little stunt, and my jaw was on the floor…, The ‘WR’ in the name of the 23mm f/2 WR stands for ‘weather resistant’. As you can see, ‘weather resistant’ is a bit of an understatement, and bears testament to the incredible build quality of the 23mm f/2 WR lens. The 27mm f/2.8 adds a mere 0.17 lbs (77 g) to the front of your camera and is an absolute joy to use, making it much more likely that you’ll have your camera in your pocket with you everywhere you go. The 90mm f/2 features weather and dust-resistant sealing, allowing usage to temperatures as low as -10 degrees. The 23mm f/1.4 is super-sharp, focuses accurately and near instantaneously, has beautiful bokeh when shot wide open at f/1.4, and also displays awesome sun stars when stopped down to smaller apertures. The 24-70mm is also a populair lens for every kind of photography because you can always use it. Aperture: f/1.4 Focal Length: 23mm (35mm equivalent) Dimensions: 2.83 x 2.83 x 2.48 in (71 x 71 x 62 mm) Weight: 1.2 lbs (550 g) Full Review; LATEST PRICE. Even if you use this lens with a crop sensor, you still get a beautiful 85 mm prime lens with amazing sharp quality. In my mind, the biggest benefit of the Fujifilm X cameras and compact mirrorless cameras, in general, is their size and weight. As I mentioned before, there is no best lens for any particular photographer or even field of photography. Given that the Fuji XF 50mm F/2 is fast, light, compact and fast prime makes it great value for money. That said, the optical quality of this lens is superb and the useful 10-24mm focal range still makes the Fujifilm 10-24mm f/4 one of Fuji’s best options available today. Whilst we’re still on the topic of Fujifilm x-series lenses with near-legendary status and tons of positive customer reviews, the FujiFILM 56mm f/1.2 really deserves its mention as perhaps the best Fuji X lens for portrait photography. The 16mm f/1.4 is built like a tank, much the same as most of the Fuji X mount products. Shown on a X-Pro1 above, the 55-200mm f/3,5-4.8 is a relatively portable telephoto zoom that offers impressive image quality right across its wide zoom range. Often hard to find due to high demand, the 56mm f/1.2 is the lens of choice of every wedding photographer I’ve met who shoots with a Fuji mirrorless camera. In-focus elements are razor sharp at all settings, as illustrated well in the photo below. Fujifilm X-T2 + 23mm f/2 | f/5.6 | 1/3200 | ISO200 | © Jonas Rask. It is absolutely one of the best budget street photography lenses out there for the Fuji X-series. As with all wide angle lenses, you need your subject to be relatively close to the camera if you really want to separate them from the background via the bokeh. It’s great to have such a broad focal range in one lens that’s much more compact and lightweight than an equivalent lens for a full frame camera, and also that it can be used for close-ups too. There’s very minor vignetting at f/1.2 and close to zero chromatic aberation. The Red Badge Fuji XF lenses offer the best performance in focusing speed and image quality. An advantage of a fast wide angle lens like the 16mm f/1.4 is your ability to shoot it at slower shutter speeds than a longer lens. 16mm as opposed to 18mm will also give you more flexibility for wide angle shots too. If you’re looking for stellar subject separation and low light performance, its hard to beat the 56mm f/1.2, and the hundreds of positive customer reviews since its launch in 2014 tell a similar story – read them here. I was finally back on prime lenses for all my portraits. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products of the brand. Fuji kept their 62mm filter ring for this lens, which is great as all of your filters from the 23mm, 56mm, and others will fit without the need to carry step-up rings or different filter sizes. Astrophotography or portraiture, this lens gives you the best of any field you find yourself photographing. 23mm on a Fuji mirrorless camera body has a 35mm equivalent focal length on a full frame sensor, the field of view of choice of street photographers, wedding photographers and any other photographer who wants a story telling lens that’s versatile enough for portraits, landscapes and everything in between. It’s important to understand what all the letters in the lens name mean when you set our to buy a Fujifilm lens (aka Fujinon lens/ Fujifilm XF lens). What is the difference between Fuji XF and XC lenses? Personally, I’m using the 24-70mm f/2.8 L very often for editorials and studio shoots. Fujifilm 35mm f/1.4 Sample Image | © Soe Lin. I’m not talking about quality; I’m talking focal length and type of lens. Also, keeping in mind the Fuji zoom lenses and prime versions. The XF 50mm f/2 is an option that also includes exceptional autofocus and fantastic image quality. When used with the X-T2, you get the equivalent of a 24-84 mm wide to telephoto lens. Add to this that it has a great wide-angle of view and ability to produce amazing images and you have a winning lens. Furthermore, it is the non-macro lens that focuses the closest (39cm) and offers the best sharpness at the minimum focus distance. I’ve already reviewed a 23mm lens (the aforementioned f/1.4 version), so why the need to include another one? When it comes to the ‘best Fuji Lenses’, I like to use the old faithful bunny ears (quotation marks). i.e. Even with an APS-C crop sensor, you still get a 15-36 mm focal length, keeping you well within the wide-angle realm. 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', You may be tempted to go for the GFX range (who wouldn’t) but beware these use the G mount and are not appropriate. Fuji continues to release exceptional products and it’s hard for me to name a bad one! Distortion is hard to measure on some Fujifilm x-mount lenses since the camera body may be correcting any distortion automatically, but either way, you won’t see any warped elements in your final images. As with all Fuji X mount products, the construction is solid. This wide-angle to standard zoom lens keeps its very fast f/2.8 wide aperture. The f/2 is lighter and weather-resistant (see the amazing video later on in this review), whilst the f/1.4 is obviously slightly better in low-light. If you use one of these and buy something we make a little bit of money. The 24mm is great for total shots … Or very expensive and beautiful prime lenses with a wide aperture range. As with all pro-grade Fuji zooms, the 50-140mm f/2.8 isn’t compact or light, but the internal zoom and focus means that the lens doesn’t ‘grow’ at least! I’m talking Peter Lik style. Your Fuji lenses from your X-T1 are compatible with your upgraded camera, as long as it’s Fujifilm. You can also select your interests for free access to our premium training: So, you are a Fujifilm photographer. Autofocus is extremely fast and accurate thanks to two linear motors, and the bokeh from f/2.5 to 4.8 is beautiful and creamy. You change aperture on the 23mm f/2 WR by twisting the aperture ring which is much faster and more convenient than fiddling with dials when your mirrorless camera body is small. CLICK HERE TO GET THE LATEST PRICE ON THE FUJI 16-55MM f/2.8. Images such as the one below may not be optically perfect, but they exhibit a certain character that is unattainable with other Fujifilm lenses. On the APS-C sensor Fujifilm cameras, a 16-55mm f/2.8 gives you even more range (up to an equivalent of 84mm). Fuji … Another option for close-up work would be to add the Fujifilm extension tubes (11mm and 16mm) to one of your existing Fujifilm lenses. If you step outside of the 35mm equivalent, you get a 24 mm lens. The Fuji 16mm is one of the fastest lenses giving you unparalleled quality. Imagine being able to shoot 4 or 5 stops slower than you usually would with a long-range zoom lens and still have a sharp photo! When compared to the bumbling Canon 85mm f/1.2L, the AF on the Fuji beats it on all accounts. "}},{"@type":"Question","name":"What is LM on a Fuji lens? This means your Fuji lenses are transferable. My favourite feature of this impressive Fuji zoom lens is its ability to focus as close as 1.1 metres, which means you can capture high quality telephoto close-ups, much like a macro lens. BEST FOR: HIGH-END NATURE PHOTOGRAPHY. Don’t just take my word for it though – have a look at the hundreds of 5 star reviews on Amazon for the Fuji 35mm f/1.4. Beginners often wrongly assume that landscape photography requires wide angle lenses, but this is not the case. Model Michala Zambon of Major Models NYC. With an equivalent focal length of 137mm, the 90mm f/2 is the best Fuji lens for portrait photography in the Fuji x-mount lens line up, delivering ultra-sharp, flattering results with zero distortion. Because of this subjectivity, we will cover wide to telephoto fuji lenses. Perhaps not as sharp and optically perfect as some of the others in this Fuji best lens roundup, but nevertheless, displaying a certain quality to image rendering that sets it a step above the rest. Shot fully zoomed out to 55mm, the 16-55mm f/2.8 is an excellent portrait lens. Many also feature weather-sealing. Incidentally, if you’re looking for a small and light camera for use on the street, many consider the Fuji X-A1 to be the best camera under $500. You’ll see it on a few of the other lenses, including the 50mm f/2, 16mm f/1.4, 35mm f/2 and 90mm f/2, so in theory, my incredibly scientific ‘running water’ test is possible with all these lenses too (although you’ll need to be using one of Fuji’s weather resistant camera bodies like the X-T2.). It’s a great inclusion especially if you are looking for a portrait lens on a budget. As well as being an excellent portraiture lens, the 90mm f/2 is also used widely as a lens for astronomy photography due to its focal length and fast aperture. The zoom range with this lens offers enough of a change in framing without stepping out of the wide angle field of view. CLICK HERE TO GET THE LATEST PRICE ON THE FUJI 55-200MM F/3.5-4.8. ","acceptedAnswer":{"@type":"Answer","text":"The 'LM' is an abbreviation of 'linear motor', which is present on some Fuji lenses to aid with AF speed and performance."}}]}. If you’re looking for one of the best Fujifilm lenses with a fixed focal length, the 23mm f/1.4 is definitely up there. You can click here to find the latest price on the 23mm f/2 WR, but at the time of writing this review, it sat just below $450, which really is great value for a lens of this caliber. The inclusion of Optical Image Stabilisation in the 10-24mm f/4 means that you’re able to work handheld which shooting in low light too. Typically, this lens is placed on tripods and used by landscape photographers. Despite its age, the Fujifilm 35mm f/1.4 is still an excellent performer. The close-focus distance of just 15cm (0.49ft) is also a welcome addition, allowing you to get up close and personal to your subject, while still including enough of the environment in the frame to tell the complete story. Offering an equivalent 16-35mm, it rivals the … I’ve shot with two different Nikon 35mm lenses for over 5 years now, and agree that this compact offering from Fuji can definitely give them a good run for the money. Most people see this as one of the best Fuji x lenses for portrait photography. Being able to use slower shutter speeds in low light will allow you to use lower ISOs, which in turn leads to a cleaner final image. It’s debatable whether this is the absolute best option available today, but the near-legendary Fujifilm 35mm f/1,4 is certainly the most popular lens in the Fuji X mount lens lineup. As for the build, you’ll know by now that all the Fuji X mount lenses are built out of metal to outlast your life as a photographer. As Fuji’s fastest portraiture lens, the 56mm f/1.2 exhibits the 85mm equivalent creamy bokeh when shot wide open at f/1.2, letting in enough light to warrant its use even in the darkest of locations. X-T2 + 50mm f/2 | f/2.5 | 1/250 | ISO200 | © Greg Cromie. Look at what you are photographing and where you’re falling short. The Fujinon XF 23mm F1.4 R is another lens often mentioned as the best in the X-Series lineup. Finally I got myself an X100T (23mm) to replace my original X100 and I recently added the 50-140 zoom lens too – Wow is all I can say. 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', 2. 16-55mm f/2.8 Sample Image | © Dave Kal Piper. "}},{"@type":"Question","name":"Who makes Fujinon Lenses? Other popular uses of the 50-140mm f/2.8 include wildlife photography and landscape photography work. My favourite prime lens for portrait is 56mm f1.2 mounted on my FUJIFILM X-T20 (It would be BEST if it’s mounted on FUJIFILM X-T2). You can see the subject separation and smooth bokeh exhibited by the 23mm f/1.4 in the image below. Stick to daytime usage and you’ll be the envy of every back-aching DSLR shooter stuck on the sidelines! I hope you enjoyed this selection of the best Fuji X lenses. Fujifilm 10-24mm f/4 Sample Image | © Yak Mirs. If you’re looking for a great vlogging lens, the 16mm f/1.4 is great for this too – I shot a video handheld using this lens attached to a Fujifilm X-H1, and the field of view was perfect to include my head in the centre of the shot while still including enough background. 'RealVideo.RealVideo(tm) ActiveX Control (32-bit)', Many photographers prefer to reach for a wide-angle zoom rather than a prime. The 23mm f/1.4 is a metal lens which feels sturdy and satisfying in the hand, and even more so when attached to a similarly robust body such as the X-T3 (reviewed here). The only downside here is that you need to get really close to your subject. Combined with a silent Fuji mirrorless camera like the Fuji X-T2 (reviewed here), it makes a perfect reportage style documentary photography setup. On the left: Canon EF-S 35mm F/2.8 Macro IS STM. As and when new X mount lenses are released, I’ll review them and update this post accordingly. The good news is that all of these mentioned cameras use the X Mount camera system. Weighing in at only 540g, this lens makes much more sense in my mind than the far heavier zooms in the lineup. When combined with the wide angle and fast aperture, you can get away with hand-holding at slow shutter speeds up to 1 second and still get a steady shot! Remember that this round up is in no particular order – if it were, the incredible Fujifilm 90mm f/2 would be closer to the top. Note that in the image below, the trees are leaning to the centre of the frame due to the low level of the camera position. Whether it be on the street, on the runway, or in a studio, having the right lens might make the difference between getting the cover shot or filling your digital trashcan with unsightly images. Most of the professional photographer prefer a prime lens over zoom lens due to its image quality and blurring capability. ","acceptedAnswer":{"@type":"Answer","text":"Fuji lenses have exceptional imaging quality, especially for their size and price. On the right: Canon 35mm 1.4L II. There are currently three XF Red Badge lenses: 16-55mm f/2.8, 50-140mm f/2.8 and 100-400mm f/4.5-5.6. You can’t usually say the same for other telephoto lenses. ","acceptedAnswer":{"@type":"Answer","text":"No, Tamron does not currently make lenses for Fuji cameras. Its the go-to lens for subject separation, bokeh and very tight framed portraiture. Top 5 Mirrorless Cameras for Video in 2020 For many photographers (including myself), this is one of the best Fuji prime lenses ever made. With Nikon or Canon, the 70-200 mm is the go-to lens. The 15-36mm equivalent focal range of the Fujifilm 10-24mm f/4 makes it extremely versatile, allowing the ability to take advantage of a wide-angle as well as the popular 35mm (36mm) field of view. 35mm is arguably the most popular focal length for photographers due to its versatility, being equally at home shooting portraits as well as being wide enough to fill the frame with interest. A cheaper (and lighter) alternative is the 18-55mm f/2.8, although it has to be said that the 18-55mm is in a different league to this 16-55mm f/2.8. If you’re going traveling and need a lightweight, flexible and fun lens for your new Fuji mirrorless camera, you can’t find much better than this great lens. As for performance, the 27mm f/2.8 is sharp at all apertures, although shooting wide open at f/2.8 will result in slight softness in the corners, but it’s barely noticeable. This Fuji lens also has amazing low-light performance, almost at a similar caliber of its fellow portrait lens, the Fujinon 56mm f1.2. You don’t usually hear this from telephoto lenses. Although there is a slight difference in the bokeh of this lens when compared to that of its more expensive f/1.4 brother (mostly due to the difference in aperture blades), you’ll hardly notice unless you examine them side by side. 43mm) f2.8 pancake lens at around £300 is a favourite of many photographers. This prime lens drops down to a super wide f/1.2, which is almost unheard of. {"@context":"https://schema.org","@type":"FAQPage","mainEntity":[{"@type":"Question","name":"Are Fuji Lenses Good? It’s also the best Fuji prime lens if want that elusive 35mm focal length on a budget ;-). They are renowned for edge to edge sharpness, excellent clarity and colour rendition, and robust build quality. This is why we put together this easy glossary to help you along the…, 5. ","acceptedAnswer":{"@type":"Answer","text":"The Red Badge Fuji XF lenses offer the best performance in focusing speed and image quality. On a 35mm camera, the Fuji 16-55mm f/2.8’s closest lens would be the immensely popular 24-70mm f/2.8, a zoom range favoured by many pro photographers due to its versatility – from wide angle to medium telephoto, a 24-70mm covers it all. You’ll have a hard time deciding between this f/2 Fuji lens and the f/1.4 variant in fact since the f/2 offers very similar image quality at almost half the price (and weight!) It’s simply an extraordinary lens at a very useful focal length. If you want to know what Fuji lenses to buy first, this quick summary should help: The 55-200mm f/3.5-4.8, an incredible all-rounder and one of the best Fuji zoom lenses I’ve ever used. Also, if you’re looking to accessorize your Fuji camera with the latest gadgets and gizmos, check out this guide to the best Fuji accessories. When combined with the high ISO performance of the X-series mirrorless camera lineup, low light photography is made a lot more achievable. When stopped down to the smaller apertures, the 27mm f/2.8 is at its sharpest, exhibiting no distortion combined with excellent colour rendition, as shown in the jpeg image below which came straight out of a Fuji X-Pro1 with Velvia film simulation. Fujifilm X-T4 is at the top of our list, followed by Fujifilm GFX 100 and Fujifilm X-H1. The wide angle lens is very important. Here are the top 15 best Fujifilm X-Mount lenses reviewed by ePHOTOzine. The 16mm f/1.4 is a perfect match for cameras such as the Fujifilm X-H1 (reviewed here), with its in-body image stabilisation. The Fuji 50-140mm f/2.8 is another of the best Fuji X lenses and a Fuji zoom lens at that. It’s amazing just how popular it is! I will, of course, try my best to cover all lenses as much as possible. Using a telephoto zoom such as the 50-140mm f/2.8 can compress an image, making distant landscape elements appear closer together, for more striking compositions. The 35mm f/1,4 is capable of sharp image reproduction, but stopped down to f/5.6 is where the sharpness is most impressive. This is the kit lens available with many of the Fujifilm X camera bodies, but it’s without doubt the best kit lens I’ve ever owned. Fujifilm 50-140mm f/2.8 Sample Image| © Dhugal Watson. Today, my favorite street photography kit includes the Fuji X-Pro2 body in the silent electronic shutter mode with the 23mm f/2 Fujinon lens, the Rokinon 12mm f/2 manual focus lens, and the adapted 55mm f/1.8 Fujinon M42 screw-mount manual focus lens. It makes for a respectably small combination with most X-series cameras and provides decent low light performance and some control over depth-of-field. By day and in good light is where this lens really sings, as shown in the excellent panning motorsports shot below. No, Tamron does not currently make lenses for Fuji cameras. Ken Rockwell calls the 10-24mm f/4 “the best ultrawide for the Fuji X-mount cameras”, and for good reason. Need more info? In dimmer light, the 50-140mm f/2.8 starts to struggle when compared to a dSLR 70-200mm, so low-light sports use is not advisable. Sharpness isn’t everything after all, especially in portraiture, where the 35mm f/1,4 is still very popular. Fuji 23mm f/1.4. 55-200mm f/3.5-4.8 Sample Image | © Freiraum7.
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